Represented▼
Agan Harahap
AIDA Makoto
AKAMATSU Nelo
Albert Yonathan Setyawan
AMANO Yoshitaka
ANGKI PURBANDONO
AOYAMA Satoru
Ashley Yeo
Budi Agung Kuswara
DU Kun
Entang Wiharso
Gilang Fradika
Heri Dono
HORI Kosai
IKEDA Manabu
indieguerillas
Iwan Effendi
Jun Nguyen-Hatsushiba
KANEKO Tomiyuki
KARIYA Hiroshi
Ken + Julia YONETANI
KONDOH Akino
KUMAZAWA Mikiko
MAJIMA Naoko
MATSUKAGE
MIYANAGA Aiko
MIZUNO Rina
MORI Junichi
Nasirun
O JUN
OKADA Hiroko
OKAMOTO Ellie
ROBERT ZHAO RENHUI
RongRong & inri
Susan Philipsz
TANADA Koji
TENMYOUYA Hisashi
TSUTSUI Shinsuke
USAMI Masahiro
Wianta, Made
YAMAGUCHI Ai
YAMAGUCHI Akira
YAMAMOTO Masao
YAMAMOTO Ryuki
Yoga Mahendra
Zen Teh
Zen Teh
1988 Born in Singapore
Lives and works in Singapore
Education
2011 BFA Art, Design, Media (Photography and Digital Imaging), Nanyang Technological University, Singapore
Zen Teh
Reclaimed Sculpture: Domestic Landscape (top detail 1)
2020
inkjet print on backlit film, LED light, refurbished wooden cabinet
162 x 49 x 35 cm
© Zen Teh, courtesy of the artist and Mizuma Gallery
Zen Teh
Reclaimed Sculpture: Domestic Landscape (top detail 2)
2020
inkjet print on backlit film, LED light, refurbished wooden cabinet
162 x 49 x 35 cm
© Zen Teh, courtesy of the artist and Mizuma Gallery
Zen Teh
Reclaimed Sculpture: Domestic Landscape (bottom detail 1)
2020
inkjet print on backlit film, LED light, refurbished wooden cabinet
162 x 49 x 35 cm
© Zen Teh, courtesy of the artist and Mizuma Gallery
Zen Teh
Reclaimed Sculpture: Domestic Landscape (bottom detail 2)
2020
inkjet print on backlit film, LED light, refurbished wooden cabinet
162 x 49 x 35 cm
© Zen Teh, courtesy of the artist and Mizuma Gallery
Zen Teh
After Monument: Aquifer of Time
2019
photographic imprint on used H-beam iron pillar, volcanic soil, and video installation
dimensions variable
© Zen Teh, courtesy of Mizuma Gallery
Zen Teh
After Monument: Aquifer of Time (pillar detail)
2019
photographic imprint on used H-beam iron pillar, volcanic soil, and video installation
dimensions variable
© Zen Teh, courtesy of Mizuma Gallery
Zen Teh
After Monument: Aquifer of Time (video detail)
2019
photographic imprint on used H-beam iron pillar, volcanic soil, and video installation
dimensions variable
© Zen Teh, courtesy of Mizuma Gallery
Zen Teh
After Monument: Intrusion 1
2019
photographic imprint on found rock with iron off-cuts
33 x 52 x 21 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Intrusion 2
2019
photographic imprint on found rock with iron off-cuts
22 x 34 x 27 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Stasis
2019
photographic imprint on found rock with iron off-cuts
28 x 61.6 x 40 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Imprinting Geological Traces 1
2019
photographic imprint on found rock
16 x 17.5 x 14 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Imprinting Geological Traces 2
2019
photographic imprint on found rock
36 x 33.5 x 17 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Imprinting Geological Traces 3
2019
photographic imprint on found rock
18 x 39 x 16 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: The Currency of Land
2019
gold leaf on found rock
16.5 x 22 x 7.5 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Precipice 1
2019
found stone, iron off-cuts
15 x 25 x 9 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Precipice 2
2019
found stone, iron off-cuts
15 x 16 x 11 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Precipice 3
2019
found stone, iron off-cuts
11.5 x 12 x 7 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Precipice 4
2019
found stone, iron off-cuts
21 x18 x 15 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Precipice 5
2019
found stone, iron off-cuts
21 x 18 x 15 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Unearthing 1
2019
found stone, cement
10 x 17 x 5 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh
After Monument: Unearthing 2
2019
found stone, cement
13 x 25 x 15 cm
© Zen Teh
Photo by Adi Rahmatullah
courtesy of Selasar Sunaryo Art Space and Mizuma Gallery
Zen Teh & Hera
The Range of Expanse
2018
inkjet print on Japanese handmade paper, mounted on hand-scroll
18 x 255 cm (unrolled)
Zen Teh
Movement : Stillness
2018
installation of pebbles, marble pieces, and inkjet print on Japanese handmade paper
dimensions variable
Zen Teh
Movement : Stillness (detail)
2018
inkjet print on Japanese handmade paper
86 x 192 cm
Zen Teh in collaboration with Product Designer, Sharifah Nasser
In Between Spaces
2016
concrete and pigment, ink on colon rag paper
dimensions variable (triptych, 85 x 85 cm each)
Zen Teh, in collaboration with Product Designer, Sharifah Nasser
In Between Spaces #03 (detail of photograph composite #03)
2016
concrete and pigment, ink on colon rag paper
85 x 85 cm
Solo Exhibitions
2019
Mountain Pass: Negotiating Ambivalence, Selasar Sunaryo Art Space, Bandung, Indonesia, and Mizuma Gallery, Singapore
2018
Garden State Palimpsest, ARTIST+RUN, Bangkok, Thailand
2017
Vestiges : Tracing Urban-nature, La Galerie, Alliance Française de Singapour, Singapore
2015
Sensing States: Healing Spaces, The Substation Art Science Open Call Exhibition, Art Science Museum, Marina Bay Sands, Singapore
2014
Calls for a New Natural Order, 2902 Gallery, Singapore
Group Exhibition
2020
The Seeds We Sow, Mizuma Gallery, Singapore
2019
Mediated Realities, Jendela – Esplanade, Singapore
2018
From the Archives, Mizuma Gallery, Singapore
OH! Emerald Hill, OH! Open House, Singapore
Folkloristics, Mizuma Gallery, Singapore
2017
Empirical Atlas, Pearl Lam Galleries, Singapore
Good OH! Holland Village, OH! Open House, Singapore
2016
In Silence, Pearl Lam Galleries, Singapore
Project 凳子 (Deng Zi), Art Outreach, Singapore
2015
Becoming of Age, NOISE Alumni Exhibition, Nila Galeri, Foothills Fort Canning, Singapore
6th Dali International Photography Festival, Dali, China
The Days We Wander/Wonder, DECK by 2902 Gallery, Singapore
Tribute To Thawan Duchanee, 3rd ArtBridge Chiang Rai Art Exhibition, ArtBridge Gallery, Chiang Rai, Thailand
Artist Resource Platform, The Lab, Centre of Contemporary Art, Singapore
2014
The Art Incubator 5: From When We Last Met, Project Space, LASALLE College of the Arts, Singapore
2013
Exposure 2013 Exhibition, See I Exhibition Space, Long Island City, New York, USA
2nd ArtBridge Chiang Rai Art Exhibition, ArtBridge Gallery, Chiang Rai, Thailand
Bright Lights, Galerie Steph and BOTOS, Scotts Square Mall, Singapore
Spot Art International, MICA Building, Singapore
ASEAN Youth Camp 2013 Exhibition, National Museum of Singapore, Singapore
The Apprenticeship Programme (TAP), SAM@8Q, Singapore Art Museum, Singapore
2012
Earth Messages: Perspectives from Environmental Artists, Museum of Nanyang Technological University, Singapore
Awards
2017
Winner, 7th France + Singapore Photographic Arts Award, Singapore
2014
Finalist, Hariban Awards, Benrido Collotype Atelier, Japan
2011
Honourable Mention, Adobe Design Achievement Awards, USA
Silver Award (Photography), Crowbar Awards, Association of Accredited Advertising Agents, Singapore
2005
Highly Commended, 24th UOB Painting of the Year, Singapore
Residencies
2018
Selasar Sunaryo Art Space, Bandung, Indonesia
2013
The Art Incubator, Angkrit Gallery, Chiang Rai, Thailand
