
Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

Installation View

R.E. Hartanto
Crafter #1 (New Indonesian Series)
2017
watercolour on Canson Montval 300 gsm acid-free paper
39.7 x 29.7 cm

R.E. Hartanto
Geologist #2 (New Indonesian Series)
2016
watercolour on Canson Montval 300 gsm acid-free paper
37 x 27 cm

R.E. Hartanto
Poet #1 (New Indonesian Series)
2017
watercolour on Canson Montval 300 gsm acid-free paper
39.7 x 29.7 cm

Handiwirman Saputra
Hisap/Keluarkan (Inhale/Exhale)
2012
STPI handmade abaca paper (pigmented & air dried) in aluminium structure with silicon rubber tubes and wooden air pump
197 x 360 x 90 cm

Anang Saptoto
Mohammad Sarengat in Nine Memories (Anamorphic Series)
2014
ink marker, wood, iron, sticker
21 x 30 cm each
total of 9 art books

Kokok P. Sancoko
:tanpajudul
2017
pencil on paper
57 x 77 cm

Priyanto Sunarto
Hak Azasi Pasir (The Sand's Right)
1979
silkscreen on paper with added sand
50 x 25 cm (unframed) 89 x 66 cm (framed)
edition of 18 of 20

Iwan Effendi
The Puppet Moment
2017
single-channel video (13 min 32 sec)
papier-mâché puppet in wooden frame
32.7 x 32.7 x 10 cm (frame)

Julia Sarisetiati
Sharing Strategies of Uncertainty
2013
in collaboration with Budi Mulia
single-channel HD video installation (1 h 3 min 5 sec), two drawings on paper
153 x 272 cm and 21 x 29.7 cm

Bambang “Toko” Witjaksono
Price List
2009
digital print on paper
20 x 30 cm
book of 26 pages
edition of 10

Cut and Rescue
Pelatih Serangga/Insect Trainer (Re-edit)
2014 - 2017
blotter print, cutting sticker, laser light, audio tutorial
dimensions variable

Krack
Exposition de Paris 1900
Neerlandies pavillion
1900 (from the series Tanah/Impian (Dream/Land)) 2014 - 2017
silkscreen on Canson Montval paper
30 x 40 cm
edition 9 of 10 + 1AP

Krack
Petji Melati Terkenal di Seluruh Indonesia, 1950 (from the series Tanah/Impian (Dream/Land))
2014 - 2017
silkscreen on Canson Montval paper
40 x 53 cm edition
8 of 10 + 1AP

Krack
Indomie, 1970 (from the series Tanah/Impian (Dream/Land))
2014 - 2017
silkscreen on Canson Montval paper
53 x 70 cm
edition 8 of 10 + 1AP

Krack
Taman Mini Indonesia Indah, 1975 (from the series Tanah/Impian (Dream/Land))
2014 - 2017
silkscreen on Canson Montval paper
53 x 70 cm
edition 7 of 10 + 1AP

Krack
ACI, 1986 (from the series Tanah/Impian (Dream/Land))
2014 - 2017
silkscreen on Canson Montval paper
40 x 53 cm
edition 5 of 10 + 1AP

Krack
Ilmu Pengetahuan Social, 1985 (from the series Tanah/Impian (Dream/Land))
2014 - 2017
silkscreen on Canson Montval paper
40 x 53 cm
edition 5 of 10 + 1AP

Krack
Villa Praha, 2007 (from the series Tanah/Impian (Dream/Land))
2014 - 2017
silkscreen on Canson Montval paper
40 x 53 cm
edition 6 of 10 + 1AP
Carte Blanche: Anxiety(SINGAPORE)
2017年05月27日(土) - 06月24日(土)
Anang Saptoto, Bambang “Toko” Witjaksono, Cinanti Astria Johansjah, Cut and Rescue, Handiwirman Saptura, Iwan Effendi, Julia Sarisetiati, Kokok P. Sancoko, Krack, Priyanto Sunarto, and R.E. Hartanto
Curated by Grace Samboh
Mizuma Gallery is pleased to announce Carte Blanche: Anxiety, a group exhibition of works on paper by Indonesian artists.
“Visible things can be invisible. If somebody rides a horse through a wood, at first one sees them, and then not, yet one knows that they are there. In Carte Blanche (1965), the rider is hiding the trees, and the trees are hiding her. However, our powers of thought grasp both the visible and the invisible – and I make use of painting to render thoughts visible.” — René Magritte
When someone says, “I have it on paper”, it usually refers to something that binds two or more parties in a legal sense. It is an official promise that something must be done, more likely within a certain time frame. This marks the end of a negotiation. In the arts, however, it is almost the complete opposite. Paper is treated as a start, as a beginning. It is used for sketching, it is used before things become paintings, sculptures, installations, or whatever. It is okay to be wrong on paper. Paper represents ideas, thoughts, and try-outs. There is no certain time frame for things on paper to be executed. This exhibition begins with questioning the idea of paper as a representative of ideas. What power does paper have? What power does it render?
Curated by Grace Samboh, this exhibition showcases works by Anang Saptoto, Bambang “Toko” Witjaksono, Cinanti Astria Johansjah, Cut and Rescue, Handiwirman Saputra, Iwan Effendi, Julia Sarisetiati, Kokok P. Sancoko, Krack, Priyanto Sunarto, and R.E. Hartanto.