Jun Nguyen-Hatsushiba


1968 Tokyo, Japan

Resides & works in Ho Chi Minh City, Vietnam and Houston, USA.



1994 MFA Maryland Institute, College of Art, Mount Royal School of Art

1992 BFA The School of the Art Institute of Chicago

1988-90 Brookhaven College, Dallas, TX




Solo Exhibitions


Metaphysically Yours – Bruises Under Conscience, Mizuma & Kips, New York, U.S.A.



While I am Dead – A Prelude to Life, Mizuma Art Gallery, Tokyo, Japan



Don’t we all want to be in tune?, MAC/VAL (Musée d’art contemporain du Val-de-Marne), Vitry-sur-Seine, France

Made in Asia, Fondation D’entreprise Espace Écureuil pour l’art Contemporain, Toulouse, France



Jun NGUYEN-HATSUSHIBA, palais de l’ile, Annecy, France



“Thank you ありがとう Cam on”, Mizuma Art Gallery, Tokyo, Japan

Breathing is Free: 12,756.3; New Work by Jun Nguyen-Hatsushiba, School of the Art Institute of Chicago, Rymer Gallery, Chicago, U.S.A.



Breathing is Free: 12,756.3; New Work by Jun Nguyen-Hatsushiba , ASU Art Museum , Arizona, U.S.A.



Jun Nguyen-Hatsushiba The Globe Project in Beijing, Mizuma & One Gallery, Beijing, China (cat.)

Vietnam: A Memorial Work by Jun Nguyen-Hatsushiba, Asia Society, New York, U.S.A., curated by Miwako Tezuka

Jun Nguyen-Hatsushiba, Manchester Art Gallery, Manchester, U.K. (cat.)



The Ground, the Root, and the Air, Lehmann Maupin, New York, U.S.A.

The Ground, the Root, and the Air, Mizuma Art Gallery, Tokyo, Japan

Jun Nguyen-Hatsushiba, Kunstmuseum Luzern Museum of Art Lucerne, Luzern, Switzerland, curated by Tim Wilcox and Susanne Neubauer (cat.)



Jun Nguyen-Hatsushiba, Lehmann Maupin, NY, U.S.A.

Malmö Konsthall, Malmö, Sweden curated by Lars Grambye & Fredrik Liew (cat.)



MAM Project 002:Jun Nguyen-Hatsushiba, Mori Art Museum, Tokyo, curated by Mami Kataoka (cat.)

Memorial Project Vietnam, Centro Atlantico de Arte Moderno, CAAM, Canary island, Spain, curated by Alvaro Rodriguez Fominaya



MACRO, Museo d’Arte Contemporanea Roma, Italy, curated by Danilo Eccher/ Yuko Hasegawa (cat.)

Video Cube: FIAC 2003, Paris, France, exhibited by Mizuma Art Gallery

Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious, and the Cowards, Kunsthalle Wien, Austria

Jun Nguyen-Hatsushiba/MATRIX 203: Memorial Project Vietnam, UC Berkeley Art Museum, curated by Heidi Zuckerman Jacobson (bro.), travels to: The New Museum of Contemporary Art, NY, curated by Dan Cameron

Carnegie Mellon University, Pittsburgh, PA

Vancouver Art Gallery, Canada

Colby College Museum of Art, Maine

Austin Museum of Art, TX

Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious, and the Cowards, MIT List Visual Arts Center, MA, curated by Jane E. Farver

Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious and the Cowards, Nassauischer Kunstverein, Wiesbaden, Germany, curated by Elke Gruhn



Memorial Project Minamata: Neither Either nor Neither – A Love Story, Mizuma Art Gallery, Tokyo, Japan

Memorial Project Nha Trang, Vietnam: Towards the Complex – For the Courageous, the Curious and the Cowards, Govett –

Brewster Art Gallery, New Plymouth, New Zealand, curated by Gregory Burke (bro.)

Video Cube: FIAC 2002, Paris, France, exhibited by Gallery Chantal Crousel

Jun Nguyen-Hatsushiba, Galeria Animal, Santiago, Chile

Towards the Complex (video screening), De Appel, Amsterdam, Netherlands



Xich Lo 2001 – The Making of Alternative History, Mizuma Art Gallery, Tokyo, Japan



In Between, Shiseido Ginza Art Space, Tokyo, Japan (cat.)

Individuals-Collections, Mizuma Art Gallery, Tokyo, Japan

WWW.XEOM.COM, Blue Space Gallery, Ho Chi Minh City, Vietnam



Dream, 29 Hang Bai Exhibition House, Hanoi, Vietnam



The Mosaic Series Exhibition, Dallas Visual Art Center, TX

Studio Gallery/Sculpture Garden, Center For the Arts, Brookhaven College, Dallas, TX

Trammell Crow Pavilion Gallery, Dallas, TX



Photographs from Vietnam, SGI-USA Dallas Culture Center, TX

New Works 95:02, Jun Nguyen-Hatsushiba, ArtPace, San Antonio, TX (bro.)

Group Exhibitions


Visionary Legacies: A Tribute to Harold J. Newman, Asia Society, New York, U.S.A.

Indonesia Bertutur 2022, Apel Watoe Contemporary Art Gallery, Central Java, Indonesia

Symbiosis: Living Island, Japan House London, U.K.



Where the Tide Has Been, SeMA, Buk-Seoul Museum of Art, Seoul, South Korea(2020.09.03-2021.2.14)

What is Manchester Art Gallery?, Manchester Art Gallery, Manchester, U.K.(2020.08.20ー2021.12.26)

They Do Not Understand Each Other, Tai Kwun Contemporary, Hong Kong



Site Lines: Artists Working in Texas, Asia Society Texas Center, Houston, U.S.A.

Symbiosis – Asia Digital Art Exhibition (ADAE), Beijing, China



Kochi-Muziris Biennale 2018 “Possibilities for a Non-Alienated Life”, Aspinwall House, Kochi, India (cat.)

Collection Asian Landscapes, 21st Century Museum of Contemporary Art, Kanazawa

People Walking the Future, Museum of Contemporary Art Busan, Korea (cat.)

EXit/ EXile/ Exodus: Voicing the Diaspora in Southeast Asian Contemporary Art, MAIIAM, Chiangmai, Thailand



A Reunion with the Sea: Realism as Modern Asian Thought, Okinawa Prefectual Museum and Art Museum

A Corridor of Art through the Mountains and Seas, Onomichi, Hiroshima

CAMK Collection vol.5, Contemporary Art Museum, Kumamoto



Architecture Biennale 2016, with KAZUYO SEJIMA + RYUE NISHIZAWA / SANAA, Central Pavilion of Giardini, Venice, Italy

MAM Screen 003: Crossing Visions- Japanese Landscapes Seen from Outside, Mori Art Museum, Tokyo, Japan



Danger and Beauty. William Turner and the Tradition of the Sublime, Museum de Fundatie, Zwolle, The Netherland (cat.)

Immortal Present: Art and East Asia, Berkshire Museum, Pittsfield, U.S.A.



Waterscapes: The Politics of Water, Kumho Museum of Art, Seoul, Korea

Memory Palace, CONTEMPORARY ARTS CENTER, Cincinnati, U.S.A.

Ohara Contemporary at Musabi, Musashino Art University Museum, Tokyo, Japan (cat.)

CHOREGRAPHIES SUSPENDUES, Carré d’Art-Musée d’art contemporain de Nîmes, France (cat.)



Borderline II, 21st Century Museum of Contemporary Art, Kanazawa, Japan

Ohara Contemporary, Ohara Museum of Art, Okayama, Japan (cat.)

Setouchi Triennale 2013, Inujima, Okayama

Running the City, Galleries UNSW, Paddington, Australia

Zizhiqu – Autonomous Regions, Guangdong Times Museum , Guangzhou, China, curated by Hou Hanru



“Kashiwa City Jack”-Asia Pacific Contemporary Media Arts from Daisuke Miyatsu Collection-, Kashiwa City, Chiba

Lens on Twelve, Connaught Brown Gallery, London, U.K.

Masterpieces from the Ohara Museum of Art, Hokkaido Museum of Modern Art, Hokkaido, Japan (cat.)

Do Not Destroy: Trees, Art and Jewish Thought, Contemporary Jewish Museum, San Francisco, USA

CROSSING SEA(s), 2902 Gallery, Singapore

Edge of Elsewhere 2012, Campbelltown Arts Centre, Campbelltown, Australia




The 4th Guangzhou Triennale, Back to the Basics- The Museum Per Se, Guangdong Museum of Art, Guangzhou, China

Yokohama Triennale 2011 “Our Magic Hour-How Much of the World Can We Know?”, Yokohama, Japan (cat.)

Invisibleness is Visibleness: International Contemporary Art Collectino of a Salaryman- Daisuke Miyatsu, MOCA TAIPEI, Taipei, Taiwan


Edge of Elsewhere 2011, Campbelltown Arts Centre, Campbelltown, Australia

Roving Eye, Sørlandets Kunstmuseum, Kristiansand, Norway



The 8th Shanghai Biennale- Rehearsal, Shanghai Art Museum, Shanghai, China

The River Project- Edge of Elsewhere, Campbelltown Arts Centre, Campbelltown, Australia

Fugue in the Key of Understanding, Osage Kwun Tong, Hong Kong



The 6th Asia Pacific Triennial of Contemporary Art (APT6), Queensland Art Gallery and Gallery of Modern Art, Brisbane, Australia (cat.)

Great works of the OHARA Museum-In pursuit of the precious paintings, Fukuoka Prefectural Museum of Art, Fukuoka, Japan (cat.)

The 4th Fukuoka Aisan Art Triennale 2009- LIVE and LET LIVE: Creators of Tomorrow, Fukuoka Asian Art Museum, Fukuoka, Japan

The Symbolic Efficiency of the Frame, Tirana Biennial, Tirana Institute of Contemporary Art, Tirana, Albania

TransportAsian, Singapore Art Museum, Singapore

NAUTILUS, Stadtische Galerie Nordhorn, Nordhorn, Germany

under Water/ above Water, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany (cat.)

The Paramount, Boao Asia Contemporary Art Exhibition, Boao, China

Moving Perspectives: Jun Nguyen-Hatsushiba/ Fiona Tan, Arthur M.Sackler Gallery, Smithsonian Institution, Washington, U.S.A.



The 3rd Guangzhou Triennale- Farewell to Post-Colonialism, Guangdong Museum of Art, Guangzhou, China

The 5th Seoul International Media Art Biennale- What’s the difference?, Seoul, Korea

The 1st Kuandu Biennale- I have a dream., Kuandu Museum of Fine Arts, Taipei, Taiwan

The 3rd Nanjing Triennale- Reflective Asia, Nanjing, China

Traces of Siamese Smile, Bangkok Art & Culture Center, Bangkok, Thailand

Off the Rails, Mizuma & One Gallery, Beijing, China

Leaving Deep Water, SAW Gallery, Ottawa, Canada, curated by Stefan St-Laurent



Have you eaten yet? – 2007 Asian Art Biennial, National Taiwan Museum of Fine Arts, Taichung, Taiwan, curated by Chao-Yi TSAI (cat.)

Grey Water, Institute of Modern Art, Fortitude Vallery, Australia

Thermocline of Art-New Asian Waves, ZKM, Karlsruhe, Germany, curated by Wonil Rhee (cat.)

Views of Water, Yokohama Museum,Yokohama, Japan, curated by Shintaro Miyanaga (cat.)

CIGE, Beijing, China



Eyes and Curiosity from Tokyo, Chelouche Gallery, Tel Aviv, Israel

Voices of Silence, Herzliya Museum of Contemporary Art, Herzliya, Israel

Memorials of Identity: New Media from the Rubell Family Collection, the Nasher Museum of Art at Duke University

The 6th Gwangju Biennale-Fever Variation, Gwangju, South Korea, curated Binghui Huangfu (cat.)

The 1st Singapore Biennale, with the group “Mogas Station, Singapore, curated Fumio Nanjo (cat.)

ARS 06, Museum of Contemporary Art KIASMA



FUSION. Aspects of Asian Culture in the MUSAC Collection, Museo De Arte Contemporaneo De Castilla Y Leon, Spain,

IDFA (International Documentary Filmfestival Amsterdam), The Netherlands

Anyang Public Art Project (APAP 2005), Anyang, South Korea

Projections, Musee d’art contemporain de Montreal, Canada

Collection of Centre Pompidou New Media, Caixa Forum, Barcelona, curated by Christine van Assche (cat.)

Jun Nguyen-Hatsushiba: Memorial Project Nha Trang, Huis Marseille, museum for Photography, Amsterdam, The Netherland

Biennale d’Art Contemporain de Lyon, “Expérience de la durée”, France, selected by Nicolas Bourriaud, Jerome Sans and Thierry Raspail (cat.)

Experimenta Vanishing Point, Black Box, Victorian Arts Centre, Melbourne, Australia (cat.)

Variation Xanadu, Museum of Contemporary Art in Taipei, Taiwan, curated by Chia Chi Jason Wang

51st Venice Biennale, Always a Little Further, Arsenale, Venice, Italy, curated by Rosa Martinez (cat.)

First Acquisitions, Opere dalla collezione della Fondazione Pinchuk, Venice, Italy

Water, Water Everywhere, Scottsdale Museum of Contemporary Art, Arizona, curated by Marilu Knode (cat)

Selections from Moscow Biennale, National Centre of Contemporary Art in Novgorod, Russia

1 Moscow Biennale of Contemporary Art, Moscow, Russia, selected by Rosa Martinez



Recent Acquisitions, Contemporary Works, Centre Georges Pompidou, Paris, France

Frieze Art Fair, with Lehmann Maupin, London, UK

Encounters in the 21st Century, 21st Century Museum of Contemporary Art, Kanazawa, Japan

Dazi Bao, Universite de Jussieu, Paris, France, curated by Hou Hanru

Sevilla Biennale: The Joy of My Dreams, Spain, curated by Harald Szeemann

The 5th Shanghai Biennale – Techniques of the Visible, Shanghai Art Museum, China, curated by Shengtian Zheng

Zone of Urgency (traveling show of 50th Venice Biennale), Villa Zerbi, Reggio Calabria, Italy, curated by Hou Hanru

Movimento /Movimenti. Villa Cattolica, Bagheria, Sicily, curated by Francesco Bonami

Slow Rushes, The Contemporary Art Center (CAC), Vilnius, Lithuania, curated by Rhana Devenport

Festival internazionale del _lm Locarno, Locarno, Switzerland, curated by Harald Szeemann

WRONG SITE, Fundacion Luis Seoane, Spain, curated by Pablo Fenago

At the Still Point of the Turning World, FACT Centre, Liverpool, UK, curated by Claire Doherty

Artes Mundi Exhibition, National Museum & Gallery, Cardi_, Wales, UK, curated by Tessa Jackson (cat.)

VIS VITALIS, Centraal Museum, Utrecht, Holland

Material Witness, Museum of Contemporary Art Cleveland, Ohio, curated by Margo A. Crutch_eld (cat.)



Bloom: mutation, toxicity and the sublime, Brewster Art Gallery, New Zealand, curated by Gregory Burke (cat.)

How We Live, Queensland Art Gallery, Queensland, Australia

Frieze Art Fair, with Mizuma Art Gallery, London, UK

The 8th Istanbul Biennial-Poetic Justice, Turkey, curated by Dan Cameron (cat.)

The 50th Venice Biennale,(Z.O.U – Zone of Urgency) Dreams and Con_icts – The Viewer’s Dictatorship, Italy, curated by Hou Hanru/

Francesco Bonami (cat.)

Kaap Helder, Art from a Natural Source, North Holland, Netherlands, curated by Peter de Rooden (cat.)

The Moderns, Castello di Rivoli Museo d’Arte Contemporanea, Torino, Italy, curated by Carolyn Christov-Bakargiev (cat.)

Universal Strangers, Borusan Art Center, Istanbul, Turkey, curated by Rosa Martinez



URBANLENZ – Canon art project, Tokyo, Japan ?

Video Zone, 1st International Video-Art Biennial, Tel Aviv, Israel, curated by Sergio Edelsztein

Watching Ocean and Sky Together, FourthWall Liverpool, conceived for Liverpool Biennial, UK, Curated by Kathryn Standing,

Elizabeth Ann Macgregor and Sandra Percival

Moving Collection, the Govett-Brewster Art Gallery, Plymouth, New Zealand (bro.)

Attitude 2002, Contemporary Art Museum of Kumamoto, Japan, curated by Hiroshi Minamishima (cat.)

Rio de Janeiro Film Festival, Brazil, curated by Helmut Batista

Busan Biennial 2002: Urban, Urbanity, Korea, curated by Kim Airyung

Extreme Protection: NIT NIU 2002, Mallorca, Spain, curated by Rosa Martinez

13th Biennale of Sydney: (The World May Be) Fantastic, Australia, curated by Richard Grayson (cat.)

The 25th Sao Paulo Biennale: Metropolitan Iconographies, Brazil, curated by Alfons Hug (cat.)

Cutting Edge:Tokyo, ARCO 02, with Mizuma Art Gallery, Madrid, Spain (cat.)



Mega Wave – Toward a New Synthesis, Yokohama 2001,

International Triennale of Contemporary Art, Japan, curated by Fumio Nanjo (cat.)



Invisible Boundary: Metamorphosed Asian Art, Utsunomiya Museum of Art, Japan (cat.)

Invisible Boundary: Metamorphosed Asian Art, Niigata Prefecture Art Museum, Niigata, Japan

Man & Space, The 3rd Gwangju Biennale, Gwangju, Korea (cat.)



Gap Vietnam, The House of World Cultures, Berlin, Germany (cat.)



Critic’s Choice, Dallas Visual Art Center, TX (bro.)

Jurors: Dana Friis-Hansen, Senior Curator, Contemporary Arts Museum, Houston

Charles Wylie, Curator of Contemporary Art, Dallas Museum of Art



1995 Members Invitational, The McKinney Avenue Contemporary, Dallas, TX

Art in the Metroplex 95, Texas Christian University, Ft. Worth, TX, Juror: James Surls


2005 BlueOrange Art Prize 2006 (nomination list), Berlin, Germany


2004 Hugo Boss Prize (nomination list), Guggenheim Museum, NY.

Artes Mundi Prize (Shortlist), Wales, UK. Selected by Nanjo Fumio/Declan McGonagle


2003 BlueOrange Prize (nomination list), Berlin, Germany.


1998 Japanese Artist Living Abroad Award, Funded by: Shiseido Corporate Culture Department, Tokyo, Japan

Cartier Foundation for Contemporary Art, Paris, France.


1996 NFRIG (New Forms Regional Initiative Grants Program), Mexic-Arte Museum & Diverseworks, Funded by: The National

Endowment for the Arts, The Rockefeller Foundation, The Andy Warhol Foundation for the Visual Arts. Art Matters Inc., NY


1995 ArtPace, A Foundation For Contemporary Art, International Artist in Residence Program, San Antonio, TX,

Panel: Mary L. Beebe, Director of the Stuart Collection, University of California.Benito Huerta, Critic/Artist, Houston, TX.

Anthony Jones, President, The School of the Art Institute of Chicago.

Richard Koshalek, Director of the MOCA at Los Angeles.

Lowery Sims, Associate Curator, Metropolitan Museum of Art, NY.

Dianne Vanderlip, Curator, Denver Art Museum.


1994 Municipal Arts Society, Henry Walter’s Traveling Fellowship (VietNam), Baltimore, MD

Jurors: Terrie Sultan, Curator of Contemporary Art, Corcoran, D.C.

Jonathan Goodman, Associate Editor, Art News, NY.


1992-94 Philip Morris Fellowship


1992-94 Maryland Institute, College of Art


1992 1st Prize, Texas Juried Competition, Stout/McCourt Gallery, Dallas, TX

Public Collection

21st Century Museum of Contemporary Art, Kanazawa (Japan)

Asia Society (U.S.A.)

Benesse Holdings, Inc. (Japan)

Berkeley Art Museum and Paci_c Film Archive (U.S.A.)

Fonds National d’Art Contemporain, Paris (France)

Museum Boijmans Van Beuningen (Holland)

Museum of Contemporary Art, Los Angeles (U.S.A.)

MUSAC, Museo de Arte Contemporaneo de Castilla y Leon (Spain)

Centre Georges Pompidou (France)

Guggenheim Museum (U.S.A.)

Contemporary Art Museum, Kumamoto (Japan)

Kadist Foundation, Paris (France)

Kunstmuseum Luzern (Switzerland)

Manchester Art Gallery (U.K.)

MIT List Visual Center (U.S.A.)

Monsoon Art Collection (U.K.)

Mori Art Museum (Japan)

Ohara Museum of Art, Okayama (Japan)

Fondazione per l’Arte Contemporanea Victor Pinchuk (Ukraine)

Queensland Art Gallery (Australia)

Rubell Collection (U.S.A.)

Singapore Art Museum (Singapore)

Stavanger International Collection (Norway)

T-B A21, Thyssen-Bornemisza Art Contemporary (Austria)

TheatreWorks (Singapore)

Whitney Museum of American Art (U.S.A.)